From Thousand Hills to Middle Kingdom: where fashion weaves two worlds as one.
千山之国与中华大地:时装设计的四海一家
历史背景
卢旺达(Rwanda)一直称为千山之国(Land of a Thousand Hills),深厚的文化奠定了现代时装的背景。 卢旺达传统服饰象征了优雅,Umushanana 和 Kitenge(吉滕盖布)布料的服装,表达雅致感与文化自豪。 传统服饰在现代的卢旺达仍具重要意义,特别在婚礼和仪式场合。 1994年,卢旺达的种族灭绝屠杀之后,开始以时装重建国家认同和共同信念。 复兴传统的服饰,以至卢旺达时装,展示文化上的治愈与浴火重生。
文化交流
卢旺达与中国的文化交流,为当地时装设计引入另一维度。 从中国引入的结构化剪裁技术,再结合与卢旺达传统制衣工艺。 两种传统色彩象征结合,以布料作为述事和文化的媒介。 中国的设计强调了平衡与精致,恰好与卢旺达的美学产生共鸣。 跨文化对话又加持了卢旺达时装,设计师探索混合的文化身份,既尊重传统,又拥抱创新。
融合丝路元素系列
Hedera Fashion Design 系列体现卢旺达与中国文化,通过纺织和设计融合。 系列突出奠定卢旺达传统服饰的吉滕盖布 (Kitenge),结合中国设计风格。 图案从中国文化汲取了灵感,形成两种传统的视觉对话。 设计师刻意融合了中国剪裁与卢旺达纺织,混合两种文化的身份, 展示服装设计如何作为国家的桥梁——既根植传统又勇于创新。 本系列反映的「一带一路」精神,以「可穿戴艺术」中,体现连系、合作和文化的和谐。
设计哲学
本系列背后的设计理念,超越单纯的美学考虑。 以服装作文化桥梁,突显传统卢旺达和中国哲学,融合成奂然一新的作品,时装不仅是个人装饰,还要实现跨文化对话和相互鉴赏。 卢旺达和中国的传统,布料的文化意义超越了物质,变成一种文化叙事和价值观。 设计师在尊重独特文化下创新——让两种传统文化各自表述,再转化成第三空间。 以穿着或展示设计,促进了中国与卢旺达的友谊和互信。 本系列超越了时装,从中也可领略文化创造,国际合作和共融体验的潜力。
Country: Rwanda
Academy: Kigali Models Academy
Designers: Nizeyimana Patrick, CEO of Kigali Models Academy and Model, Ishimwe Keita Salma, Model and Designer
国家:卢旺达
学院: 基加利模特儿学院
设计师:Nizeyimana Patrick, 基加利模特儿学院首席执行官兼时装模特儿, Ishimwe Keita Salma, 时装模特儿兼设计师
Historical Context
Rwanda, known as "The Land of a Thousand Hills," possesses a deep cultural heritage that has shaped its contemporary fashion identity. Traditional Rwandan clothing was historically rooted in elegance and symbolism, with garments such as the Umushanana and Kitenge serving as expressions of grace and cultural pride. These traditional dresses continue to hold significance in modern Rwanda, particularly during weddings and ceremonial occasions. Following the 1994 genocide against the Tutsi, fashion emerged as a powerful medium for rebuilding national identity and expressing collective resilience. The revitalization of traditional dress and the evolution of Rwandan fashion demonstrate how cultural expression can serve as a pathway to healing and renewal.
Cultural Exchange
The cultural exchange between Rwanda and China has introduced new dimensions to Rwandan fashion design. Chinese influence has manifested through the introduction of structured tailoring techniques that complement traditional Rwandan garment-making. The exchange has also reinforced the symbolic use of colors in both traditions, where fabric serves as a medium for storytelling and cultural expression. Chinese design philosophy, which emphasizes balance and refinement, has found resonance with Rwandan aesthetic values. This cross-cultural dialogue has enriched Rwanda's fashion landscape, creating opportunities for designers to explore hybrid identities that honor both traditions while embracing innovation.
Featured Collection with Silk Road Elements
The showcased collection from Hedera Fashion Design exemplifies the fusion of Rwandan and Chinese cultural identities through textile and design. The collection prominently features Kitenge fabric, a cornerstone of Rwandan traditional dress, combined with Chinese-inspired design elements. The fabric patterns themselves draw inspiration from Chinese cultural motifs, creating a visual dialogue between the two traditions. Designers have intentionally merged Chinese tailoring techniques with Rwandan textiles, resulting in garments that represent a hybrid cultural identity. This approach demonstrates how clothing can serve as a bridge between nations—simultaneously rooted in tradition and forward-looking in its innovation. The collection reflects the spirit of the Belt and Road Initiative, embodying principles of connectivity, cooperation, and cultural harmony through wearable art.
Design Philosophy
The design philosophy underlying this collection transcends mere aesthetic considerations. These garments function as cultural bridges that highlight how traditional Rwandan and Chinese design philosophies can merge into innovative creations. The philosophy emphasizes that fashion serves not only as personal adornment but also as a vehicle for cross-cultural dialogue and mutual appreciation. In both Rwandan and Chinese traditions, fabric carries meaning beyond its material form, serving as a canvas for cultural narratives and values. The collection demonstrates how designers can honor distinct cultural heritages while creating something entirely new—a third space where both traditions are visible yet transformed. By wearing or showcasing such designs, individuals participate in promoting friendship and understanding between China and Rwanda. The result represents more than fashion; it embodies the potential for cultural creativity to foster international cooperation and shared human experience.